Writing

What I like about Spring: perfect weather, spring cleaning (both physical and mental), taking self-publishing workshops, finishing new art, plotting out new books, and finding new authors and art galleries to follow. What I don’t like: knowing that summer temperatures will be hitting early this year, spring cleaning, doing a cost analysis on what I…

Read More Spring Things

Adrift in the typhoon’s eye,

Stalled on the cliff’s edge,

I craft lists of aides I cannot deploy

Until the wind swells

Strong enough

To lift my wings again.

Well, this has been a good launch day: Maestro seemed to have hit the ground running, thanks to some very good marketing by NineStar, at least two great reviews, and some fans coming out of the woodwork. I have fans. Wow, folks, thank you so very, very much! Kristin at GayBook Reviews pretty much distilled down…

Read More Maestro news, Day 1

Good news, everyone! My release date for Maestro, my M/M/M contemporary erotic romance, will now be February 8, 2016. That means two things: my teeny little novella will no longer be lost in the stellar glare from the February 2 release of C.A. Pacat’s long awaited third book in the Captive Prince series. (And by…

Read More Countdown to Maestro!

I’d post it here, but WordPress and I have a media upload issue that is not getting fixed until this weekend. So here is a link to the NineStar Press page for Maestro, where you can see the pretty pretty cover in large size. I’ll wait with the final blurb until they get their copy…

Read More Maestro Cover has a link!

This will be a stub post until I have all my data and editorial points lined up (and this will be an entry in Filigree’s Rule, too). The summary: If you are a young writer, please don’t engage in elaborate sockpuppet catfishing schemes to get reviews for your novel. At some point it’s going to…

Read More Two Fried Catfish, please

One month from now, on 02/02/2016, my little M/M contemporary romance novella Maestro will be available from NineStar Press. I’ve seen the cover. It’s gorgeous. In a week or so I’ll start up some cool promotion stuff, including one of my handmade beadwoven necklaces in NineStar’s rainbow color theme. My fantasy novel Singer in Rhunshan…

Read More Hello 2016

Yes, the blog was down for nearly a month. An update gone awry and a new more-than-fulltime job can do that. Over the next few months I’ll probably be redoing and streamlining this blog. What happened in 2015? I got to help a dear friend come back from a bad bicycling accident, and stand witness…

Read More 2015 in review

Hey writers, if you are creatively stuck and need some story prompts, here’s one resource: The Cool Bits Story Generator. It’s not as random as it appears, and some of its results can be…boggling. But it’s fun. I’ll have a link off to the left, too.

Read More if you need a story prompt

Just completed the initial edit for Maestro. I can say this for NineStar Press: my editor is very good at catching my boneheaded mistakes. Far from hating the editing process, I loved it. It was like the final render on a difficult digital art project, or the polish of a gemstone or piece of silverwork.…

Read More Yay for edits

Kate is both a friend of mine from AbsoluteWrite and a fellow Loose Id author…but I have to tell you, I’d plug this book even if those were not factors. First, there’s the blurb: Buy a whole body…or just the parts. Then, the cover, from Kate’s blog tour list: Then the jacket copy: Special Agent…

Read More Flesh Market, by Kate Lowell

My Twitter feed was all-abuzz today about a post from a rightfully angry YA editor, who’d just heard that certain agents were telling their author clients not to submit diverse books. (Books celebrating non-standard POVs, characters, and situations, regarding race, creed, gender identity or sexual preference.) Or to submit certain kinds of diversity, and not…

Read More Diverting diversity, and other dangers

I’ve had some writer’s block recently (okay, three years of it, off and on). I think I finally broke it this month. I turned a smutty little 5K short story into a smutty 16K novella, and got it delivered to its editor at a new publisher. When they announce it, I will share the happy…

Read More More (writing) happiness

A debut novel from a fellow M/M writer over on AbsoluteWrite. I’ve been watching the seeds of Bad Magic develop for a little while, and I could tell early on it would be a fun read. When she sold it to Dreamspinner Press, I cheered. Here’s the blurb: Morality is relative. At least that’s what…

Read More Evelyn Elliott: Bad Magic

(Random snippets of advice I’ve seen this week, and found useful.) Eat Cheese Puffs with chopsticks…no sticky orange fingerprints on keyboard! Know what your publisher’s contract actually says, and how it pertains to you. When your characters hit the ‘banter’ stage, you know you’ve built them properly. Now they can be trusted to get into…

Read More Gathered writerly wisdom #1

There’s this depressing song-and-dance routine that I keep seeing from so many writers, in several genres: “Oh, this crappy little publisher is treating me soooo badly. I think I’ll leave them and try to find another crappy little publisher.”

Or they decide, like Laura Harner did in 2011, to leave their CLP and self-publish. She’s not the only one to choose that route. Sometimes it works really well, without the author resorting to ghostwriters and plagiarism to keep up the publishing schedule.

There is nothing wrong with informed self-publishing, by someone committed to doing it right. That’s not what this post is about.

Nor are all small publishers CLPs. Some really do a great job, and are worth the business risk.

Choosing to try a bigger, better publisher may not even cross these authors’ minds. A lot of new(er) writers, or writers accustomed to small press business practices, are simply afraid of the Big Five. They think they might not be ‘good enough’ for a major publisher, and are not willing to work at improving their writing. Or they can’t or won’t try to get agent representation, which they need to get through the door of any publisher closed to public queries. Or they’re impatient with the slower-than-glaciers response time and publishing pace of many Big Five imprints.

For whatever reason, by continuing to go small, they are possibly cutting themselves out of much higher earnings and recognition in the long run.

Plus, they are annoying the shit out of those of us who keep watching them do it over and over…