marketing

Blurb: Five thousand years ago, the Atreianii transcended humankind, reducing men and women to slaves and pets. These post-human demigods reigned for centuries across their world and throughout the solar system, and for a time they created their paradise. Yet it could not last; they warred amongst themselves, reduced the globe to dust and ash,…

Read More A Requiem Dawn, by J.L Forrest

I am thrilled to see that the moderators of Marketing For Romance Writers (MFRW), one of the biggest genre marketing support groups online, have made the following announcement: “Calls for submission may be submitted only by publishers who DO NOT charge fees for services such as editing, cover art, printing, and etc. A publisher must…

Read More Responsibility in marketing

Writers: treat writing contests the same way you’d treat new agents, publishers, or marketing/publicity firms. With caution. C’mon, you know the drill: trust, but verify. Often, verify before you even trust.

Some writing contests are reputable, honest, and offer great prizes and viable publicity for winners and finalists. Even entry-fee contests for various writing genres can be worthwhile, if they offer an industry-respected status, and the entry fees are reasonable and used toward covering the administration of the contest.

Some ‘contests’ are merely fishing expeditions set up by uninformed or possibly predatory publishers, to build a source of fast capital from entry fees and/or get the names of authors who might become clients.

It’s up to you to research your venues *before* you apply to them. Publishing is a party, and you don’t have to dance with everyone who asks! Ditch the beer goggles and the ‘They like me!’ squee, and focus on who’s asking, and what they can offer.

The Snarkology’s own Melissa Snark talks candidly about her decision to finance her self-published audiobook A Cat’s Tale, once she had the rights back from the previous e-publisher. Audiobooks are a fast-growing but still far less saturated market for romance subgenres…worth any author’s serious consideration. Melissa paid upfront for some serious narrative and sound-editing talent,…

Read More Paths to Publishing – Melissa Snark

Happy Friday! Join Dixie Hart on the Snarkology blog, for a candid and inspirational tale of wanderlust, travel, exotic locales, and fearless risk-taking – all of which Dixie distills into a second career in self-published non-fiction and romance. I won’t give the whole story away, but you should listen to Dixie: “…Sometimes the willingness to risk…

Read More Paths to Publishing – Dixie Hart

Recently on an online writers’ forum, a pulp writer I know offered the following snarky-but-sadly-accurate list. It’s distilled from his years of reading the typical ways authors defend their substandard, clueless, or frankly predatory publishers. Upon talking to veteran authors, editors, and agents, I realized we’d all seen these excuses. (Our usual responses in parentheses.)…

Read More when writers defend iffy publishers

And somehow, I’ve ended up with a third marketing post. But this one might be useful to a few people, so bear with me. Wu Wei is the Chinese term for ‘effortless action’, the attainment of a purely natural way of being. It is often physically represented by a loose, graceful circle: In the NYTimes, John…

Read More Try, but not too hard

…I am lying to you right now, with this cheerful snarky blog post that purports to tell you all about the magic trick I’m doing, and that you shouldn’t fall for it. This blog sells absolutely nothing but my intermediate abilities as a writer and artist. But there’s a good chance that, if I were…

Read More All marketing is creepy lies…

Continuing my last post: let’s talk about marketing self-published works, and why hybrid authors may have advantages that self-pub-only authors might not have. The hard, cold truth? Most unknown, first-time self-published and indie-published books don’t sell very well. Their authors have a rough time reaching enough of a buying audience to make the equivalent of a living…

Read More Self-publishing and Hybrid authors, pt 2